Thursday, October 13, 2016
Wednesday, July 6, 2016
Oil Painting Supplies
1. Gamblin Titanium White Oil. This will help you achieve a nice buttery consistency and is about $50 for a 16oz can from Dick Blick. I tend to use at least three times the white as I do other colors combined, and even though I normally paint oils in small scale, it's more cost efficient for me to buy in cans.
2. Mediums. Liquin Impasto Medium is a semi-gloss, quick-drying, non-yellowing medium perfect for palette knives and will retain crisp textures. Another medium I enjoy that creates a softer texture is Gamblin cold wax. It is made of beeswax and will dry no harder than a candle, so it's important to only mix in about 1/4 wax to 1 part oil paint for a nice smooth, matte finish.
Below:Detail of piece using cold wax medium
3. Colored Oil Paints. In terms of selecting which brand of colored oil paints to purchase, I use a range from Winsor & Newton, M. Graham, and Gamblin. I suggest buying small tubes of the colors and experimenting until you find which colors you like. You'll be surprised at the differences in prices, heaviness of texture, and brilliance of colors across brands. I always buy exclusively through Dick Blick since they almost always offer discounts and free shipping for large orders.
Acrylic Painting Supplies
1. Dick Blick Titanium White. For acrylic painting I generally stock up on large jars of Dick Blick Titanium White. Similar to my oil painting process, I generally go through at least one jar of white per painting while using small amounts of color from other tubes.
Above:Impasto texture using acrylic paints.
2. Colored Tubes. For bright beautiful colors that maintain their peaks I like to use a range of tubes including Liquitex Heavy Body and Golden Heavy Body. It is important to only buy the "Heavy Body" variety because the "Soft Body" will flatten out while drying. Some of my favorites include manganese blue, cadmium red, pthalo blue, prussian blue, and sap green (all by Liquitex). Golden also has a range of beautiful heavy body acrylics, with some of my favorites being their hansa yellow medium and florescent pink. These tend to be a little pricier than other brands so you may just want to sample one or two to see if you can tell the difference.
3. Heavy Gloss Gel Medium. I also always use the super heavy gloss gel medium by Liquitex, which can create sculptural effects that maintain their high peaks. I prefer the gloss for a nice shine, but they also have matte if you prefer.
Knives and Canvas
1. Palette Knives. I suggest purchasing at least five different knives in a range of sizes and shapes and playing around until you find your go-to favorites. There are many brands on the market but you should always get stainless steel if possible to prevent rusting and in my opinion they tend to bend less easily than other types. You can find knives by Liquitex for around $8.
2. Canvas or Wood. For an affordable, good quality canvas I like to go with Dick Blick Premier Cotton Canvas. If you are planning on framing, the 7/8" profile canvas will give you a much broader and affordable range of framing options, but if you would like the gallery wrapped look with painted edges I would go with the 1.5" profile. Another option is cradled wood panels. I like the Blick panels with 1 5/8" sides, but you do have to gesso the surface beforehand so it does have an extra step. Alternatively you can purchase pre-gessoed panels for a small extra cost.
I hope this has provided you with some useful information for starting out as a textural painter or simply trying something new. Any questions?? Let me know, I'm always happy to offer suggestions or answer questions. Have fun!!
Tuesday, June 28, 2016
Tuesday, June 21, 2016
Above: A collection of work in my studio. Collections can be built upon specific artists, styles, movements, subjects, colors, or techniques.
1. Do your research. Start by checking out local galleries, art fairs, and open studios. Write down your favorite artists and research their backgrounds. Where are they represented? What is their price point? If you're able, visit the galleries that represent them. Chances are you will find other artists you like there as well. Ask the artists if they are willing to do studio visits. I personally enjoy having clients over to check out my works-in-progress and current inventory. Don't forget online research especially on platforms such as Instagram. It is the perfect platform to quickly research artists and often you can be first in line to buy works directly off the easel. Be sure to search hashtags related to the type of work you are looking for. For example you could search by: #modernart #contemporaryart #dsart #studioscenes #artstudio #coastalart #floralart. A few of my favorite accounts that will give you a broad introduction to the huge community of artists on instagram are @artforbreakfast, @ratedmodernart, @freshpaintmag, and @painterspaintingpaintings.
Above:Edoardo Monti's collection of modern art in Brooklyn, New York, featuring work by myself (top right), Ryan Hewett, Jeff Rune, and The Unit London. This is a perfect example of how textures and colors can play throughout a collection.
Below:Two of my pieces (middle and middle bottom) in Monti's collection.
2. Do buy your favorite piece! Don't hold back when it comes to purchasing a piece you're in love with, especially if it's close to your price point. You don't ever want to look back and wish you would've bought that special piece instead of the one that matched your couch. Chances are if you love a piece now, you will always love it. Coordinating with interiors is important, but the artwork is paramount. Now think about why you love this piece so much? Was it the subject, technique, style, color, or concept? Use this piece as a starting point to build your collection around and if possible try to keep a similar underlying element throughout the collection. It doesn't even have to be an obvious similarity, it could simply be "women artists of the south" or "artists influenced by the abstract expressionists." A stronger collection will build upon a theme, not simply be a hodgepodge of random purchases.
Above and below: This collector chose two of my impressionistic foliage pieces for his stately home in Leesburg, VA. The framing plays nicely here with the formal interiors.
3. Set goals. What is the goal for your collection? Do you want to establish a noteworthy collection of artists from Virginia? Do you want to simply collect a variety of colorful miminalist pieces? Also try to plan around your budget. How often will you collect? What is your budget for each piece? Where will the pieces be positioned in your home? These are all important things to think about as you plan out your collection.
Above: A collection of my abstract paintings with the consistent theme of color and texture on exhibit at Covet. Inquire for availability.
4. Document Document! Always remember to document your collection. Keep a file of artist information, certificates of authenticity, signed paperwork, show catalogues, postcards, and any other information that could be valuable for the future generation or resale.
Of course, these are all suggestions, but hopefully I've provided you with something to think about while building and starting your collection. The collector has the ultimate power to decide the shape and direction of their collection. How exciting is that?!
Friday, June 3, 2016
Top to bottom, left to right (all 9" x 12"):
1. Coral No. 1, coldpress 140lb cream paper
2. Crystalline Circles, coldpress 140 lb cream paper
3. Petri No. 1, coldpress 140lb cream paper
4. Crystalline Squares, coldpress 140lb cream paper
5. Zigzags, coldpress 140lb cream paper
6. Fresh Cut No. 1, 90lb white watercolor paper
7. Coral No. 2, coldpress 140lb cream paper
8. Petri No. 2, coldpress 140lb cream paper
9. Fresh Cut No. 2, 90lb white watercolor paper
10. Drip Drop, 140lb cream paper
Thursday, May 19, 2016
Detail of Ocean Swells, oil on canvas, 20" x 10".
Somewhere on a Beach, acrylic on canvas, 24" x 24".